Daas

  • December 5, 2014 / 19:00
  • December 17, 2014 / 19:00

Director: Adrian Panek
Cast: Andrzej Chyra, Mariusz Bonaszewski, Olgierd Lukaszewicz
Poland; 102’, 2011, color

Polish with Turkish subtitles

This visually stunning period drama explores the life of Jacob Frank, the 18th-century Polish mystic who believed that he was the Messiah. Frank’s unique faith combined aspects of Christianity and Judaism, and he claimed he could heal people and bestow immortality. After Jewish authorities proclaimed Frank a heretic, he spent many years in prison and later left Poland to live in Vienna. This examination of his life and times, revealed through the perspectives of former disciple Golinski and Viennese court investigator Klein, is marked by intrigue and conspiracy. When Golinski initiates an inquiry about Frank in Vienna, Klein doesn’t understand a key point—that Frank and his daughter are already deeply involved with Austria’s Kaiser Joseph II. Both men will have to focus their attention on other matters than “Frankists.” This polished and visually austere treatise on power and corruption is the auspicious feature debut of writer/director Adrian Panek.

Papusza

Papusza

The Master

The Master

Daas

Daas

Trailer

Daas

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.