Polish cinema until recently generally ignored Middle Eastern and East Asian cultures on the screen. Recent events related to the Middle-Eastern movements have changed this perspective. As part of this program, three different biographical films present a fresh look into the notion of the East. Papusza (2013) is a romantic tragedy of lost rights, lost affection, and alienation of non-conformists by society, whilst at the same time underlining that the real loser remains the community itself, and the significance of this loss to the European social anatomy. Romany poet Bronisława Wajs (1908-1987), known as Papusza, is a Polish legend. Rather than a classical biographical piece, the film exposes the destiny of this talented woman, and her ethnic background in the context of modern history. The black-and-white photography conjures up a poetic and, in places, raw testimony of the regions travelled by the Romanies before the Second World War and immediately after it. The film also treats the decline of their valued traditions, and the physical and moral deprivation they suffered after being forced to abandon their nomadic existence. Although Papusza at various stages of her life remains the focus of the story, it is not until the latter half of the film that fragments are pieced together to form a wholesome picture. Adrian Panek’s Daas (2011) is a biography of Jakub Frank, a Jewish religious leader who claimed to be the reincarnation of the self-proclaimed messiah Sabbatai Zevi and also of the biblical patriarch Jacob. An 18th century mystic, who not only became famous, but also propagated the seeds of doubt in people, from beggars to kings. Daas is a tale of his power, but also of the origins of an unavoidable defeat. The Master (2006), on the other hand, directed by Piotr Trzaskalski is a fictional, even more archetypal biographical film. The film exemplifies influence by Asian spirituality and Eastern religions with reference to Andrei Tarkovsky. The tempo is slow, characters are well developed, and the cinematography is excellent. Commentary by Janusz Wróblewski
This event is organized as part of the 2014 cultural program, celebrating the 600th anniversary of Polish-Turkish diplomatic relations. turkiye.culture.pl
02:00 The Master
19:00 The Master
14:00 The Master
Polish cinema until recently generally ignored Middle Eastern and East Asian cultures on the screen. Recent events related to the Middle-Eastern movements have changed this perspective. As part of this program, three different biographical films present a fresh look into the notion of the East.
The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.
Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.
Tuesday - Saturday 10:00 - 19:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
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