Polish cinema until recently generally ignored Middle Eastern and East Asian cultures on the screen. Recent events related to the Middle-Eastern movements have changed this perspective. As part of this program, three different biographical films present a fresh look into the notion of the East. Papusza (2013) is a romantic tragedy of lost rights, lost affection, and alienation of non-conformists by society, whilst at the same time underlining that the real loser remains the community itself, and the significance of this loss to the European social anatomy. Romany poet Bronisława Wajs (1908-1987), known as Papusza, is a Polish legend. Rather than a classical biographical piece, the film exposes the destiny of this talented woman, and her ethnic background in the context of modern history. The black-and-white photography conjures up a poetic and, in places, raw testimony of the regions travelled by the Romanies before the Second World War and immediately after it. The film also treats the decline of their valued traditions, and the physical and moral deprivation they suffered after being forced to abandon their nomadic existence. Although Papusza at various stages of her life remains the focus of the story, it is not until the latter half of the film that fragments are pieced together to form a wholesome picture. Adrian Panek’s Daas (2011) is a biography of Jakub Frank, a Jewish religious leader who claimed to be the reincarnation of the self-proclaimed messiah Sabbatai Zevi and also of the biblical patriarch Jacob. An 18th century mystic, who not only became famous, but also propagated the seeds of doubt in people, from beggars to kings. Daas is a tale of his power, but also of the origins of an unavoidable defeat. The Master (2006), on the other hand, directed by Piotr Trzaskalski is a fictional, even more archetypal biographical film. The film exemplifies influence by Asian spirituality and Eastern religions with reference to Andrei Tarkovsky. The tempo is slow, characters are well developed, and the cinematography is excellent. Commentary by Janusz Wróblewski
This event is organized as part of the 2014 cultural program, celebrating the 600th anniversary of Polish-Turkish diplomatic relations. turkiye.culture.pl
14:00 The Master
19:00 The Master
14:00 The Master
Polish cinema until recently generally ignored Middle Eastern and East Asian cultures on the screen. Recent events related to the Middle-Eastern movements have changed this perspective. As part of this program, three different biographical films present a fresh look into the notion of the East.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
Félix Ziem is accepted as one of the well-known artists of the romantic landscape painting, and has been followed closely by art lovers and collectors of all periods since. He had a profound influence on generations of artists after him, and was the first artist whose works were acquired by the Louvre while he was still alive.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
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