Correspondence Fernando Eimbcke – So Yong Kim

  • October 18, 2014 / 19:00
  • October 30, 2014 / 19:00

Mexico, USA, Germany, 2010–2011, HDV, color, 41’
Spanish and English with Turkish subtitles

Mexican filmmaker Fernando Eimbcke and So Yong Kim, representative of the new American independent cinema, send each other eight impressions from their daily routines and family lives. A leaf dancing in a spider's web, sunsets by the sea, photos of Eimbcke's father accompanied by his mother telling the story of his illness, conversations about childhood, pictures of babies and snails and views out of a window in Berlin. A minimalistic, private film.

Correspondence José Luis Guerín – Jonas Mekas

Correspondence José Luis Guerín – Jonas Mekas

Correspondence Jaime Rosales – Wang Bing

Correspondence Jaime Rosales – Wang Bing

Correspondence Isaki Lacuesta – Naomi Kawase

Correspondence Isaki Lacuesta – Naomi Kawase

Correspondence Fernando Eimbcke – So Yong Kim

Correspondence Fernando Eimbcke – So Yong Kim

Correspondence Albert Serra – Lisandro Alonso

Correspondence Albert Serra – Lisandro Alonso

Soothsayer Serenades I Beautiful People by Sarp Dakni

Soothsayer Serenades I Beautiful People by Sarp Dakni

Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. 

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.