Director: Rebecca Zlotowski
Cast: Léa Seydoux, Anaïs Demoustier,
Agathe Schlenker
France, 80’, 2010, color
French with Turkish
subtitles
Zlotowski’s
Belle Épine is a coming of age story about a teenage girl dealing with the death
of her mother and absentee father. The girl loses herself in antisocial
behavior, turning away from her Jewish heritage personified by her supportive
aunt and uncle, and drawn into the orbit of a wrong-side-of-the-tracks classmate
and her biker friends, who gather for chaotic, sometimes lethal night-time
motorcycle meets on the edge of town. The film won the prestigious Prix Louis
Delluc and was nominated for a César Award for lead actress Léa Seydoux. The
strikingly intimate portrait of a seventeen-year-old girl follows her transition
from disaffected youth to premature adulthood with astute psychological
observation.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
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