Director: Mikhaël Hers
Cast: Thibault Vinçon, Dounia Sichov,
Lolita Chammah
France, 98’, 2010, color
French with Turkish
subtitles
Late August, early September, the twenty something characters of Mikhaël Hers's Memory Lane come together in the Parisian suburb where they grew up. Some still live there, while others, like migrating birds, are drawn back by the inviting weather—or, like any good son or daughter, the whims and pains that afflict their parents. An ode to looking out windows, at least for part of its running time, the film builds a mood of nostalgia from its scarcely florid fixation on atmosphere: the blustery wind, chirping insects, a gorgeous hilltop view of distant Paris.
About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster…
Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.
Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.
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