Memory Lane

Director: Mikhaël Hers
Cast: Thibault Vinçon, Dounia Sichov, Lolita Chammah
France, 98’, 2010, color
French with Turkish subtitles

Late August, early September, the twenty something characters of Mikhaël Hers's Memory Lane come together in the Parisian suburb where they grew up. Some still live there, while others, like migrating birds, are drawn back by the inviting weather—or, like any good son or daughter, the whims and pains that afflict their parents. An ode to looking out windows, at least for part of its running time, the film builds a mood of nostalgia from its scarcely florid fixation on atmosphere: the blustery wind, chirping insects, a gorgeous hilltop view of distant Paris.

Summer of Giacomo

Summer of Giacomo

Nous princesses de cleves

Nous princesses de cleves

Belle Épine

Belle Épine

Un poison violent

Un poison violent

Memory Lane

Memory Lane

La vie au ranch

La vie au ranch

The adventure of the Big ‘K’

The adventure of the Big ‘K’

In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.