Director: Mikhaël Hers
Cast: Thibault Vinçon, Dounia Sichov,
Lolita Chammah
France, 98’, 2010, color
French with Turkish
subtitles
Late August, early September, the twenty something characters of Mikhaël Hers's Memory Lane come together in the Parisian suburb where they grew up. Some still live there, while others, like migrating birds, are drawn back by the inviting weather—or, like any good son or daughter, the whims and pains that afflict their parents. An ode to looking out windows, at least for part of its running time, the film builds a mood of nostalgia from its scarcely florid fixation on atmosphere: the blustery wind, chirping insects, a gorgeous hilltop view of distant Paris.
The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition.
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