Director: Sophie Letourneur
Cast: Sarah-Jane Sauvegrain, Eulalie
Juster, Mahault Mollaret
France, 90’, 2009, color
French with Turkish
subtitles
In her debut feature, which has drawn comparisons to late French masters Rohmer and Rouch, Letourneur insightfully and humorously portrays the seemingly quite happy daily life of a small group of bohemian girls living together on the left bank in what they call their “Ranch.” A tight-knit circle of 20-somethings, Lola, Pam, Manon, Chloé and Jude—all played by non professionals, and all friends in real life—are smart, somewhat naïve, and often temperamental, spending their days drinking, smoking, laughing, dancing, gossiping, and discussing their love lives, until each realizes they must break from the group to pursue their own lives. Part of ACID’s 2010 Cannes sidebar, La vie au ranch was a festival favorite, screening at Viennale, Vancouver, Sydney, Belfort (where it won the Best French Film Award), and the International Film Festival Rotterdam. Letourner’s semi-autobiographical first feature seamlessly combines performances from amateur actors, layered dialogue, and real-life cast experiences.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.
Mersad Berber was born in Bosanski Petrovac, Kingdom of Yugoslavia, on January 1st. He was the first son of Muhammed Berber and Sadika Berber, a well-known weaver and embroiderer. A year later, the family moved to Banja Luka after the city had suffered damage from the World War II.
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