Always

  • October 10, 2015 / 14:00
  • October 16, 2015 / 19:00

Director: Song Il-gon
Cast: So Ji-Sub, Han Hyo-joo
South Korea, 2011, 105’, color
Korean with Turkish subtitles

A fatal love story centered on ex-boxer Chul-min and telemarketer Jung-hwa. He has closed his heart to the world and she remains spirited despite slowly losing her vision. Eliminating the so-called silent style of long shots and long takes and appealing to soul and spirit, this could be deemed Song Il-gon’s declaration of transformation from an auteur director to a popular director. Those who were mesmerized by Song’s "Flower Island" and "The Magicians" may be somewhat disappointed. As suggested by the trite title, the movie is full of old clichés. But what makes it extraordinary despite its clichés is the director’s characteristic unconventional directing style and dramatic twists in detail that reveals moderation and omission. Always takes small steps towards the climax without excessive use of words and action. The director also adds class to the film through the remarkable visuals and sound design, sensuous but not superficial. As a result, this film is distinct from overwhelmingly common melodramas and successfully emerges as an ‘uncommon common’ drama. So Ji-sub and Han Hyo-joo are perfect in their roles. The commercial expression as ‘So-joo couple’ is no exaggeration.

The Face Reader

The Face Reader

Always

Always

Forever the Moment

Forever the Moment

Welcome to Dongmakgol

Welcome to Dongmakgol

How to Steal a Dog

How to Steal a Dog

Trailer

Always

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Midnight Stories: Hotel of Retro Dreams <br> Doğu Yücel

Midnight Stories: Hotel of Retro Dreams
Doğu Yücel

He didn’t expect this from me. And I hadn’t expected that we would decide to get married that day, at that moment. Everything happened all of a sudden, but exactly like it was supposed to happen in our day. We thought of the idea of marriage simultaneously, we smiled simultaneously, blinking and opening our eyes in unison. 

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.