Director: Kim Seong-ho
Cast: Lee Re, Lee Ji-won, Hong Eun-Taek, Kim Hye-Ja
South Korea, 2014, 109’, color
Korean with Turkish subtitles
Ji-so is a 10-year old living with her mom and a little brother, Ji-suk, in a pizza truck. With her dad out of contact after their pizza truck business went bankrupt and her mom lacking a sense of reality, Ji-so and her friend, Chae-rang, decide to get a house on their own. They naively believe five thousand dollars can buy a house and Ji-so finds a missing dog poster with a five thousand dollar reward. Now, their scheme is to find a rich dog, steal it and then return it back to its owner by pretending to have found it. Ji-so’s gang spots Wolly, the dog of an old rich lady who owns the restaurant where Ji-so’s mom works and sets out a perfect plan to steal the dog. They also make friends with a kindhearted wanderer who is camped out at the abandoned house where they’re keeping the dog. He shares his wisdom and offers help to the kids. Meanwhile, somebody else eyes on Wolly, the old lady’s nephew, Soo-young, who is after his aunt’s inheritance. But every perfect plan, no matter how well executed, is bound to run into some unexpected mishaps along the way. Will Ji-so, Chae-rang, and unexpectedly smart Ji-suk succeed in carrying out sneaky dog-stealing plot?
Trailer
He didn’t expect this from me. And I hadn’t expected that we would decide to get married that day, at that moment. Everything happened all of a sudden, but exactly like it was supposed to happen in our day. We thought of the idea of marriage simultaneously, we smiled simultaneously, blinking and opening our eyes in unison.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism.
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