5th Pink Life QueerFest

January 22 - 24, 2016

Pera Film in collaboration with Pink Life Lesbian, Gay, Bisexual and Trans (LGBT) Solidarity Association is celebrating the 5th edition of QueerFest. Film enthusiasts have an opportunity to watch LGBT-themed films from different countries from all around the world. First edition of the festival was held in 2011 in Ankara.

The festival aims to create new and fresh areas of (self-) expression of LGBTQI individuals and artists and to raise awareness on LGBTT struggle through the use of art; and it creates an opportunity for detailed discussions about Queer Theory.

Although a film festival, Pink Life QueerFest is not only confined to the silver screen and tries to gather the most prominent examples of art works from literature to music, video art, theatre etc from all over the world.

This program’s screenings are free of admissions. Drop in, no reservations.

in collaboration

January 22

13:00 Misfits

15:00 While You Weren’t Looking

17:30 Tab Hunter Confidential

19:30 Broken Gardenias

January 24

13:00 Lonely Stars

15:00 Welcome to This House

Misfits

Misfits

While You Weren’t Looking

While You Weren’t Looking

Tab Hunter Confidential

Tab Hunter Confidential

Broken Gardenias

Broken Gardenias

Lonely Stars

Lonely Stars

Welcome to This House

Welcome to This House

Program Trailer

5th Pink Life QueerFest

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.