April 6 - August 8, 2021
Impossible Homecoming is a retrospective exhibition of artist and poet Etel Adnan, whose life spanned nearly a century.
The daughter of a Smyrian Greek mother and a Damascene Ottoman officer, the artist was born in Beirut in 1925 to a multilingual, multi-faith, and multi-cultural family and region, and her works reflect the traces of this rich identity. Etel Adnan was never indifferent to the wars and political-social upheavals that beset her life, which found their way into the works she created, be they written or painted, or at times both.
Etel Adnan’s interpretation of the physical world surrounding her is natural – her unique abstract landscapes and the works that deal with subjects such as mountains, color, writing, memory, and time are the results of the fragile and dynamic relationship she has forged with the world.
Curated by Serhan Ada and Simone Fattal, the exhibition includes ceramics, carpets, leporellos, oil paintings, drawings, prints, and a film by the artist who “has mastered more than one medium.” Visitors can also listen to recorded interviews made with the artist at various points in her life.
The artist began painting in the US while teaching art philosophy and aesthetics; her early work includes simple abstract compositions and abstract carpets she designed with the inspiration she found in Eastern carpets. In her leporellos, she combined drawings, poetry, and prose, demonstrating the parallels between her interest in and practice of literature on the one hand and her visual expression on the other.
The artist is productive in many different media; the wonderful forms in her works and the simplicity of her artistic expression cross linguistic, cultural, and geographical borders to communicate with the audience.
Etel Adnan opens up a deep space of discovery and interpretation for the audience with her seasons, landscapes, signs, imaginary planets and satellites in the sky, and impressive energy.
The publication accompanying the exhibition includes the writings of the curators Serhan Ada and Simone Fattal, as well as a short text written by the artist Etel Adnan for the exhibition and an article titled About the End of the Ottoman Empire.
Pera Museum organizes a series of online talks as part of “Impossible Homecoming”, a retrospective exhibition of artist and poet Etel Adnan, whose life spanned nearly a century. In the second event of the series, Gavin Bryars and Serhan Ada will have an online conversation about Adnan's relationship with literature and music.
Pera Museum organizes a series of online talks as part of “Impossible Homecoming”, a retrospective exhibition of artist and poet Etel Adnan, whose life spanned nearly a century. In the first event, those who are closest to her will talk about Etel Adnan’s life, work and cities.
From April 13 to July 30, 2021, Pera Museum Learning Programs organizes Pastoral Dreams in parallel with the exhibition Etel Adnan: Impossible Homecoming. The program offers different age groups a series of engaging and colorful workshops and tours.
With inspiration from “A Question of Taste” and “Etel Adnan: Impossible Homecoming” exhibitions, Pera Museum Learning Programs hosts art and science workshops, inquiry-based philosophy workshops, and online exhibition tours with material kits to be posted to the addresses of 7-12 aged participants.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
Tuesday - Saturday 10.00 - 19.00
Sunday 12.00 - 18.00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
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