“Ultimately, our real home is our life.”
Etel Adnan
Pera Film presents Our Real Home is Our Life, the online film program within the scope of the exhibition, Impossible Homecoming, that was opened in April at Pera Museum.
The works of Etel Adnan, who was born into a family with many languages, religions and identities, portrays her history migrating through geographies, the weight of this world and the search for the place we call home. Our Real Home is Our Life includes various forms of moving image: videos of conversations with Etel Adnan, documentaries that follows the traces of her work, and essay-films that are inspired by her oeuvre.
The program that will take place between the 6th and 20th of August will show Words in Exile, the documentary which depicts, through visuals fragments, Etel Adnan’s unique portrait shaped by multiplicity of languages, of peoples and their identities; Five Senses for One Death, in which Etel Adnan, together with Gavin Bryars, deals with topics of memory, archeological excavation, and historiography at the intersection of artistic practice and scientific research; I See Infinite Distance Between Any Point and Another, which is one part of the trilogy by Otolith Group’s experimentation on both politics and aesthetics of water, revolving around the movement of thought and of ocean; and lastly, In Conversation with Etel Adnan, an interview with the artist conducted by the Ireland Modern Art Museum’s curator Rachael Thomas on her work and life in 2015.
The program will be streamed at film.peramuzesi.org.tr between August 6 - 20, and only be accessible to online audiences in Turkey. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
