Putting Unexpected Pieces Together

School Groups
Primary School

What unexpected objects would you bring together? How about creating a tree wearing a hat or a leaf eating fruit? In this workshop, we create a collage of unexpected objects by pasting images cut out from magazines, newspapers or photocopies. We then talk about what the objects or images we have chosen mean for us. With this workshop, we learn about Dadaism, draw images using our imagination and learn about the collage technique.

Materials
Used newspapers, magazines, posters or other printed mass media materials
Paper (A4) 
Glue 
Scissors 
Colored Pencils 
Masking Tape (Optional)
Poster paint or other colored paints (Optional)
Brush (Optional)
Water (Optional)
Paint Cup (Optional)

Weekday Online Learning Program
Tuesday, Wednesday, Thursday, Friday
10:00-10:30
10:45-11:15
11:30-12:00 

Online guided tour and workshop participation fee per person for private schools: 6 TL
Online guided tours and workshops are free of charge for public schools. 

Reservation is required for groups, which should include no less than 10 and no more than 60 participants. After confirmation of the reservation, the workshop link will be sent exclusively to the e-mail address submitted during registration.

Participants will receive a certificate of participation via e-mail after the event.  The event will be held on Zoom Meeting and will consist of a virtual guided tour of the exhibition, followed by a workshop related to the exhibition. We ask that participants bring their own materials for use in the workshops.

Related Exhibition: And Now the Good News: Works from the Nobel Collection

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Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

Los Caprichos

Los Caprichos

It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.