To Take a Wife

  • November 9, 2018 / 21:00
  • November 24, 2018 / 14:00

Directors: Ronit Elkabetz, Shlomi Elkabetz
Cast: Ronit Elkabetz, Simon Abkarian, Gilbert Melki, Sulika Kadosh
Israel, France, 2004, 99',  color
Arabic, French, Hebrew with Turkish subtitles

Haifa, 1979. After repeated disputes, the extended Ohayon family tries to mediate between Viviane (Ronit Elkabetz) and Eliahou (Simon Abkarian) – two people with nothing in common except for their religious-cultural background and their four children. Over the course of several days, the couple quarrels over tradition, love, fears and progress. To Take a Wife is the first chapter in the excellent trilogy by Ronit and Shlomi Elkabetz that continues with 7 Days (2008) and Gett: the Trial of Viviane Amsalem (2014).

Free admissions. Drop in, no reservations.

Sh’Chur

Sh’Chur

Late Marriage

Late Marriage

Or (My Treasure)

Or (My Treasure)

To Take a Wife

To Take a Wife

The Band's Visit

The Band's Visit

7 Days

7 Days

Jaffa

Jaffa

The Flood

The Flood

Gett: The Trial of Viviane Amsalem

Gett: The Trial of Viviane Amsalem

Trailer

To Take a Wife

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.