Director: Adonis Kyrou
Cast: Kostas Kazakos Manos Katrakis Kostas Bakas Alexandra Ladikou Giannis Fertis
Greece, 1965, 90’, DCP, b&w
Greek with Turkish and English subtitles
A summer night in 1944 in Kokkinia, Kosmas, a black marketeer, is out with his friends before he is arrested by the German patrol. The Germans push him to turn in people from the Resistance, or they will execute him. The next day, Kosmas wears a black hood and points at the combatants who have been forced to gather at the main square of the village. The film of the hyperrealist filmmaker and writer Adonis Kyrou, recreates the terrifying conditions of the blockade of Kokkinia, when, in the last period of the German occupation, the populous neighbourhoods of Athens resisted at any cost.
Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
