The Director’s Music Video (1991 – 1998)

  • December 20, 2015 / 18:00
  • December 26, 2015 / 17:30
  • January 20, 2016 / 15:00

Nirvana, Smells Like Teen Spirit, 1991 / Samuel Bayer
R.E.M., Losing my Religion, 1991 / Tarsem
Michael Jackson, Black or White, 1991 / Martin Scorsesse
U2, One, 1992 / Anton Corbijn
Nirvana, Heart Shaped Box, 1993 / Anton Corbijn
Nine Inch Nails, Closer, 1993 / Mark Romanek
Beastie Boys, Sabotage, 1994 / Spike Jonze
Jamiroquai, Virtual insanity, 1996 / Jonathan Glazer
Marilyn Manson, Beautiful People, 1996 / Floria Sigismondi
Aphex Twin, Come to Daddy, 1997 / Chris Cunningham
The Prodigy, Smack my Bitch Up, 1997 / Jonas Akerlund
Daft Punk, Da Funk, 1997 / Spike Jonze
Björk, Bachelorette, 1997 / Michel Gondry
Daft Punk, Around the World.1997 / Michel Gondry
Marilyn Manson, The Long Hard Road Out Of Hell, 1997 / Matthew Rolston.
R.E.M. Lotus, 1998 / Stéphane Sednaoui
Bjork, All is Full Of Love, 1998 / Chris Cunningham
Leftfield, Afrika Shox, 1998 / Chis Cunningham
Unkle / Thom Yorke, Rabbit in Your Headlights, 1998 / Jonathan Glazer
Aphex Twin, Windowlicker, 1999 / Chris Cunningham

Duration: 1 hour 40 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

Today's Stories: Cihangir <br>Özge Baykan Calafato

Today's Stories: Cihangir
Özge Baykan Calafato

Inspired by the exhibition Istanbuls TodayToday's Stories series continues with Özge Baykan Calafato's story "Cihangir"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.

Cameria (Mihrimah Sultan)

Cameria (Mihrimah Sultan)

Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.

Chlebowski’s Sultan

Chlebowski’s Sultan

This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.