Laurie Anderson, O Superman, 1982 / Laurie Anderson
The Cars, Hello Again, 1984 / Don Munroe, Andy Warhol
Art of Noise, Close to the Edit, 1984 / Zbigniew Rybczynski
Sonic Youth, Death Valley 69, 1985 / Judith Barry, Richard Kern
The Smiths, The Queen is Dead, 1986 / Derek Jarman
New Order, Bizarre Love Triangle, 1987 / Robert Longo
New Order, Blue Monday, 1988 / Robert Breer, William Wegman
Sonic Youth, Song for Karen, 1990 / Tony Oursler
R.E.M., Nightswimming, 1992 / Jem Cohen
Peter Gabriel, Love Town, 1993 / Michael Coulson, Yayoi Kusama
Blur, Country House, 1996 / Damien Hirst
Fatboy Slim, The Rockafeller Skank (1998) / Doug Aitken
Pet Shop Boys, London, 2002 / Martin Parr
Red Hot Chili Peppers, Can’t Stop, 2002 / Mark Romanek, Erwin Wurm
DJ Shadow, Six Days, 2004 / Won Kar-Wai
The Hours, See Thee Light, 2009 / Tony Kaye, Damien Hirst
Kanye West, Runaway, 2010 / Vanessa Beecroft, Kanye West
Die Antwoord, I Fink U Freeky, 2012 / Roger Ballen
David Bowie, Where Are We Now, 2013 / Tony Oursler
Duration: 1 hour 40 minutes
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
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