Tender Fictions

  • April 25, 2018 / 19:00
  • May 25, 2018 / 20:30

Director: Barbara Hammer
Cast: Barbara Hammer
USA, 1995, 58', color, English with Turkish subtitles
 
Barbara Hammer, constructs an autobiography before someone does it for her in this post-postmodern sequel to her award-winning documentary Nitrate Kisses. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique with ironic synthesized “voices of authority.” Archival footage of the AFL/CIO faculty strike at San Francisco State, Black Panther Party rallies and early Women’s Music Festival and a Take Back the Night march enrich the context. Hammer challenges a younger generation to visualize a world before they existed.
 
Free admissions. Drop in, no reservations.

 

Evidentiary Bodies

Evidentiary Bodies

Welcome To This House

Welcome To This House

Maya Deren’s Sink

Maya Deren’s Sink

Generations

Generations

Lover/Other

Lover/Other

Resisting Paradise

Resisting Paradise

History Lessons

History Lessons

Tender Fictions

Tender Fictions

Nitrate Kisses

Nitrate Kisses

Dyketactics

Dyketactics

Trailer

Tender Fictions

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.