Generations

  • May 2, 2018 / 19:00
  • May 24, 2018 / 19:00

Directors: Barbara Hammer, Gina Carducci
USA, 2010, 15', color, b&w, English with Turkish subtitles
 

Generations is a film about mentoring and passing on the tradition of personal experimental filmmaking. Barbara Hammer, hands the camera to Gina Carducci, a young queer filmmaker. Shooting during the last days of Astroland at Coney Island, New York, the filmmakers find that the inevitable fact of aging echoes in the architecture of the amusement park and in the emulsion of the film medium itself. Inspired by Shirley Clarke’s Bridges Go Round, both filmmakers edited picture and sound separately, joining their films in the middle when they finished making a true generational and experimental experiment.

Free admissions. Drop in, no reservations.

Evidentiary Bodies

Evidentiary Bodies

Welcome To This House

Welcome To This House

Maya Deren’s Sink

Maya Deren’s Sink

Generations

Generations

Lover/Other

Lover/Other

Resisting Paradise

Resisting Paradise

History Lessons

History Lessons

Tender Fictions

Tender Fictions

Nitrate Kisses

Nitrate Kisses

Dyketactics

Dyketactics

Trailer

Generations

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.