Director: Claude Chabrol
Cast: Isabelle Huppert, François Cluzet, Marie Trintignant
France, 103’, 1988, color
French with Turkish subtitles
Marie Latour (Isabelle Huppert) wants to be a singer, but she is a woman struggling against poverty in war-torn France, with two children to feed and a husband away fighting. When a neighbor becomes pregnant, Marie performs an abortion and is rewarded for her services with a Victrola. It's a small step from the Victrola to an income, and Marie finds that she likes to live comfortably and feed her children well. Her husband Paul (Francois Cluzet) returns and attempts to coerce her into being the type of wife he imagines he wants, but Marie insists on running things her way, and her husband is relegated to the role he imagined for her. She finds contentment in her power (merely the power to be herself and pursue her desires), but things are terribly out of balance in the world she was born into and eventually revenge is exacted. Claude Chabrol (Madame Bovary) has created a remarkably complex and poignant film about a very complex subject: the true story of the last woman to be executed in France by guillotine.
In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.
The Greek god Apollo and his son Asklepios presided over the realm of medicine and healing. Apollo was also the god of light and sun, whose solar symbolism and association with medicine would become linked to Christ the Physician, and the resurrected.
I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant
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