Director: Jean-Luc Godard
Cast: Isabelle Huppert, Jacques Dutronc, Nathalie Baye
France, 87’, 1980, color
French with Turkish subtitles
Godard's return to celluloid after a decade of experiment in video is in one sense forced: the sources of finance for his projects were drying up, and he himself admits that the film was made as a passport back into the business. But in another, this is his most personal work in years, less important for its return to narrative (the story of two women and a man joined in almost arbitrary ways) than for its chilled sense of autobiography - Dutronc plays an egotistical, washed-out video film-maker called 'Godard'. In that light, the resurrection of earlier themes (especially prostitution) is no return at all, but a confessional fantasy about a generation of men now in middle age, alienated from their sexuality, dissatisfied with their 'commerce', and unwilling to cope with a new sexual/political order. It would be hard to imagine a more courageous project; harder still to find one executed with the kind of stylistic wit and haunting elegance that have made Godard leader of the pack for over twenty years.
Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism.
Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century.
Marcel Dzama’s connection to cinema forms the foundation of his entire work, from drawings to video pieces. The five films below stand out as key sources of inspiration that have shaped his narrative style.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
