Every Man For Himself

Director: Jean-Luc Godard
Cast: Isabelle Huppert, Jacques Dutronc, Nathalie Baye
France, 87’, 1980, color
French with Turkish subtitles


Godard's return to celluloid after a decade of experiment in video is in one sense forced: the sources of finance for his projects were drying up, and he himself admits that the film was made as a passport back into the business. But in another, this is his most personal work in years, less important for its return to narrative (the story of two women and a man joined in almost arbitrary ways) than for its chilled sense of autobiography - Dutronc plays an egotistical, washed-out video film-maker called 'Godard'. In that light, the resurrection of earlier themes (especially prostitution) is no return at all, but a confessional fantasy about a generation of men now in middle age, alienated from their sexuality, dissatisfied with their 'commerce', and unwilling to cope with a new sexual/political order. It would be hard to imagine a more courageous project; harder still to find one executed with the kind of stylistic wit and haunting elegance that have made Godard leader of the pack for over twenty years.

Every Man For Himself

Every Man For Himself

Coup de torchon

Coup de torchon

La Cérémonie

La Cérémonie

Isabelle Huppert: A Life to Play

Isabelle Huppert: A Life to Play

Loulou

Loulou

Story of Women

Story of Women

White Material

White Material

Memory and Now, on Fabrics! <br> Gözde İlkin

Memory and Now, on Fabrics!
Gözde İlkin

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

Geography

Geography

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.