Director: Jean-Luc Godard
Cast: Isabelle Huppert, Jacques Dutronc, Nathalie Baye
France, 87’, 1980, color
French with Turkish subtitles
Godard's return to celluloid after a decade of experiment in video is in one sense forced: the sources of finance for his projects were drying up, and he himself admits that the film was made as a passport back into the business. But in another, this is his most personal work in years, less important for its return to narrative (the story of two women and a man joined in almost arbitrary ways) than for its chilled sense of autobiography - Dutronc plays an egotistical, washed-out video film-maker called 'Godard'. In that light, the resurrection of earlier themes (especially prostitution) is no return at all, but a confessional fantasy about a generation of men now in middle age, alienated from their sexuality, dissatisfied with their 'commerce', and unwilling to cope with a new sexual/political order. It would be hard to imagine a more courageous project; harder still to find one executed with the kind of stylistic wit and haunting elegance that have made Godard leader of the pack for over twenty years.
He didn’t expect this from me. And I hadn’t expected that we would decide to get married that day, at that moment. Everything happened all of a sudden, but exactly like it was supposed to happen in our day. We thought of the idea of marriage simultaneously, we smiled simultaneously, blinking and opening our eyes in unison.
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