Director: Maurice Pialat
Cast: Isabelle Huppert, Gérard Depardieu, Guy Marchand
France, 110’, 1980, color
French with Turkish subtitles
Maurice Pialat's character study eschews traditional plot development in its examination of the power of sex and passion to overturn class restrictions and social conventions. Huppert is Nelly, a middle-class Parisian housewife; married to possessive husband Andre. When she meets street thug Loulou, her middle-class respectability is thrown out the window and she leaves Andre for Loulou. Loulou, who has no job and resorts to robbery to survive, is more than willing to live off Nelly's money. But Andre won't give her up and, in the mind-set of a middle-class bourgeois, tries to convince her to return.
In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End).
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
