Director: Maurice Pialat
Cast: Isabelle Huppert, Gérard Depardieu, Guy Marchand
France, 110’, 1980, color
French with Turkish subtitles


Maurice Pialat's character study eschews traditional plot development in its examination of the power of sex and passion to overturn class restrictions and social conventions. Huppert is Nelly, a middle-class Parisian housewife; married to possessive husband Andre. When she meets street thug Loulou, her middle-class respectability is thrown out the window and she leaves Andre for Loulou. Loulou, who has no job and resorts to robbery to survive, is more than willing to live off Nelly's money. But Andre won't give her up and, in the mind-set of a middle-class bourgeois, tries to convince her to return.

Every Man For Himself

Every Man For Himself

Coup de torchon

Coup de torchon

La Cérémonie

La Cérémonie

Isabelle Huppert: A Life to Play

Isabelle Huppert: A Life to Play

Loulou

Loulou

Story of Women

Story of Women

White Material

White Material

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Demons, Symbols, and the Cosmos

Demons, Symbols, and the Cosmos

Beliefs surrounding illness and healing in Byzantium stem from the myths, astrology, and magic practiced around the Mediterranean by Jews, Egyptians, Mesopotamians, and Greeks.