Director: Nahid Persson Sarvestani
Denmark, 2004, DigiBeta, Color, 57’
Persian, English and Turkish Subtitles
The director returns to her motherland years after the Iran Islamic Revolution only to observe in surprise that the social injustices that existed before the revolution increased despite the regimes claims of justice, and drugs consuming and the gap between the classes expanded. The documentary is about two women who work as sex workers in order to raise their children, in a country governed by hard religious rules.
Awards:
Guldbagge Awards, Best Documentary, Gulbagge Award, 2006
Cracow Film Festival, Golden Dragon Award, 2005
Créteil International Women’s Film Festival, AFJ Documentary Award, 2005
Monte-Carlo Tv Festival, Golden Nymph, New Documentaries, Best News Documentary, 2005
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.
Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.
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