Nahid Persson Sarvestani: Documentaries
Filmmor Women’s Film Festival

March 15 - 22, 2015

Nahid Persson Sarvestani who was born in Iran had to flee to Sweden and take asylum because of her political activity during and after the 1979 Iranian Revolution. She has been directing documentaries in Sweden since 2000 and garnered many awards including Krakow Film Festival Golden Dragon Award, Monte Carlo TV Festival Best International News Documentary Award, Sweden National Television Chrystal Award and she has been nominated International Emmy. She tells the stories about Iran, how she had to flee 30 years ago, and the hard experiences of women who survived the torture and terror in Iranian prisons with films like The Queen and I or Prostitution Behind the Veil, which was nominated for an Emmy in 2005.She continued to make films about women and she was arrested in 2006 for severely criticizing the situation of women living under the oppressing Iranian regime. With My Stolen Revolution she revealed a previously untold story about being under arrest and being tortured in Iran.

March 15

13:00 The Queen and I

March 17

19:00 My Stolen Revolution

March 18

17:00 Prostitution Behind the Veil

March 20

13:00 The Queen and I

21:00 Prostitution Behind the Veil

March 22

13:00 My Stolen Revolution

My Stolen Revolution

My Stolen Revolution

The Queen and I

The Queen and I

Prostitution Behind the Veil

Prostitution Behind the Veil

Mark Požlep

Mark Požlep

Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region. Throughout the exhibition, we keep sharing detailed information about the artworks. Take a look at Mark Požlep’s “Stranger than Paradise” video installation. Also you can check our interview with the artist on our YouTube channel! 

Midnight Horror Stories: <br> Witches’ Sun <br> Mehmet Berk Yaltırık

Midnight Horror Stories:
Witches’ Sun
Mehmet Berk Yaltırık

I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.