Polish Experimental Animation Cinema 1

  • April 12, 2014 / 11:00
  • April 13, 2014 / 16:00

  • The Eye & the Ear / 1944-45 / Dir: Franciszka Themerson & Stefan Themerson, 11’
  • Once There Was / 1957 /  Dir: Walerian Borowczyk & Jan Lenica / 9’
  • Banner of Youth / 1957 / Dir: Walerian Borowczyk & Jan Lenica / 2’
  • Cineforms / 1957 / Dir: Andrzej Pawłowski / 7’
  • There and Here / 1957 / Dir: Andrzej Pawłowski / 6’
  • Somnambulists / 1958 / Dir:  Mieczysław Waśkowski / 9’
  • The Dynamic Rectangle / 1971 / Dir: Józef Robakowski / 2’
  • A Test / 1971 / Dir: Józef Robakowski / 5’
  • Demons / 1980 / Dir: Kazimierz Urbański / 11’
  • Stomp / 1984 / Dir: Maciej Ćwiek / 7’
  • Muka / 2003 / Dir: Natalia Wilkoszewska / 3’
  • III / 2003 / Dir: Jakub Lech / 9’
  • 1-39-C / 2004 / Dir: Olga Wroniewicz / 6’

Total running time 86’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

An Organized Chaos: At Marcel Dzama’s Studio

An Organized Chaos: At Marcel Dzama’s Studio

We meet at Marcel Dzama’s studio in Brooklyn on the occasion of his solo exhibition Dancing with the Moon at Pera Museum. On this freezing day in January, he welcomes us with a warm smile, and for a few hours, we step into his world filled with surreal characters, music, dance, politics, and play.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

Bosphorus at the Orientalist Paintings

Bosphorus at the Orientalist Paintings

The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.