Polish Experimental Animation Cinema 1

  • April 12, 2014 / 11:00
  • April 13, 2014 / 16:00

  • The Eye & the Ear / 1944-45 / Dir: Franciszka Themerson & Stefan Themerson, 11’
  • Once There Was / 1957 /  Dir: Walerian Borowczyk & Jan Lenica / 9’
  • Banner of Youth / 1957 / Dir: Walerian Borowczyk & Jan Lenica / 2’
  • Cineforms / 1957 / Dir: Andrzej Pawłowski / 7’
  • There and Here / 1957 / Dir: Andrzej Pawłowski / 6’
  • Somnambulists / 1958 / Dir:  Mieczysław Waśkowski / 9’
  • The Dynamic Rectangle / 1971 / Dir: Józef Robakowski / 2’
  • A Test / 1971 / Dir: Józef Robakowski / 5’
  • Demons / 1980 / Dir: Kazimierz Urbański / 11’
  • Stomp / 1984 / Dir: Maciej Ćwiek / 7’
  • Muka / 2003 / Dir: Natalia Wilkoszewska / 3’
  • III / 2003 / Dir: Jakub Lech / 9’
  • 1-39-C / 2004 / Dir: Olga Wroniewicz / 6’

Total running time 86’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Los Caprichos

Los Caprichos

It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography. 

Museum of Shedding <br> Dayanita Singh

Museum of Shedding
Dayanita Singh

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

 

Jean-Michel Basquiat Look At Me!

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.