Polish Experimental Animation Cinema 1

  • April 12, 2014 / 11:00
  • April 13, 2014 / 16:00

  • The Eye & the Ear / 1944-45 / Dir: Franciszka Themerson & Stefan Themerson, 11’
  • Once There Was / 1957 /  Dir: Walerian Borowczyk & Jan Lenica / 9’
  • Banner of Youth / 1957 / Dir: Walerian Borowczyk & Jan Lenica / 2’
  • Cineforms / 1957 / Dir: Andrzej Pawłowski / 7’
  • There and Here / 1957 / Dir: Andrzej Pawłowski / 6’
  • Somnambulists / 1958 / Dir:  Mieczysław Waśkowski / 9’
  • The Dynamic Rectangle / 1971 / Dir: Józef Robakowski / 2’
  • A Test / 1971 / Dir: Józef Robakowski / 5’
  • Demons / 1980 / Dir: Kazimierz Urbański / 11’
  • Stomp / 1984 / Dir: Maciej Ćwiek / 7’
  • Muka / 2003 / Dir: Natalia Wilkoszewska / 3’
  • III / 2003 / Dir: Jakub Lech / 9’
  • 1-39-C / 2004 / Dir: Olga Wroniewicz / 6’

Total running time 86’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.  Through the biennial, we will be sharing detailed information about the artists and the artworks. 

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism.