Polish Experimental Animation Cinema 1

  • April 12, 2014 / 11:00
  • April 13, 2014 / 16:00

  • The Eye & the Ear / 1944-45 / Dir: Franciszka Themerson & Stefan Themerson, 11’
  • Once There Was / 1957 /  Dir: Walerian Borowczyk & Jan Lenica / 9’
  • Banner of Youth / 1957 / Dir: Walerian Borowczyk & Jan Lenica / 2’
  • Cineforms / 1957 / Dir: Andrzej Pawłowski / 7’
  • There and Here / 1957 / Dir: Andrzej Pawłowski / 6’
  • Somnambulists / 1958 / Dir:  Mieczysław Waśkowski / 9’
  • The Dynamic Rectangle / 1971 / Dir: Józef Robakowski / 2’
  • A Test / 1971 / Dir: Józef Robakowski / 5’
  • Demons / 1980 / Dir: Kazimierz Urbański / 11’
  • Stomp / 1984 / Dir: Maciej Ćwiek / 7’
  • Muka / 2003 / Dir: Natalia Wilkoszewska / 3’
  • III / 2003 / Dir: Jakub Lech / 9’
  • 1-39-C / 2004 / Dir: Olga Wroniewicz / 6’

Total running time 86’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.  Through the biennial, we will be sharing detailed information about the artists and the artworks. 

A Photographer’s Biography Ali Sami Aközer

A Photographer’s Biography Ali Sami Aközer

Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.