Polish Experimental Animation Cinema 3

  • April 12, 2014 / 16:00
  • April 13, 2014 / 13:30

  • Beach / 1964 / Dir: Edward Sturlis / 7’
  • Copyright by Film Polski MCWLXXVI / 1976 / Dir: Piotr Szulkin / 3’
  • The Sun: A Non-Camera Film / 1977 / Dir: Julian Antonisz / 3’
  • What Do We See After Closing Our Eyes / 1978 / Dir: Julian Antonisz / 5’
  • Bermuda Wheel / 1979 / Dir: Jerzy Kalina / 7’
  • Cinema Verité / 1979 / Dir: Andrzej Warchał / 1’
  • An Unforgettable Night / 1996 / Dir: Janek Koza / 2’
  • Family Business / 1996 / Dir: Janek Koza / 2’
  • Death to Five / 2002 / Dir: Mariusz Wilczyński / 4’
  • Unfortunately / 2004 / Dir: Mariusz Wilczyński / 13’
  • Bark, You Mongrel, Raise Hell, My Pearl / 2006 / Dir: Wojciech Bąkowski / 4’
  • Spoken Film 1 / 2007 / Dir: Wojciech Bąkowski / 5’
  • Cap / 2007 / Dir: Tomek Sikora / 30”
  • Cakes / 2007 / Dir: Tomek Sikora / 30”

Total running time 60’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Horror Vacui <br> Alejandro Almanza Pereda

Horror Vacui
Alejandro Almanza Pereda

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

5 Films That Inspire Marcel Dzama

5 Films That Inspire Marcel Dzama

Marcel Dzama’s connection to cinema forms the foundation of his entire work, from drawings to video pieces. The five films below stand out as key sources of inspiration that have shaped his narrative style.

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.