Polish Experimental Animation Cinema 3

  • April 12, 2014 / 16:00
  • April 13, 2014 / 13:30

  • Beach / 1964 / Dir: Edward Sturlis / 7’
  • Copyright by Film Polski MCWLXXVI / 1976 / Dir: Piotr Szulkin / 3’
  • The Sun: A Non-Camera Film / 1977 / Dir: Julian Antonisz / 3’
  • What Do We See After Closing Our Eyes / 1978 / Dir: Julian Antonisz / 5’
  • Bermuda Wheel / 1979 / Dir: Jerzy Kalina / 7’
  • Cinema Verité / 1979 / Dir: Andrzej Warchał / 1’
  • An Unforgettable Night / 1996 / Dir: Janek Koza / 2’
  • Family Business / 1996 / Dir: Janek Koza / 2’
  • Death to Five / 2002 / Dir: Mariusz Wilczyński / 4’
  • Unfortunately / 2004 / Dir: Mariusz Wilczyński / 13’
  • Bark, You Mongrel, Raise Hell, My Pearl / 2006 / Dir: Wojciech Bąkowski / 4’
  • Spoken Film 1 / 2007 / Dir: Wojciech Bąkowski / 5’
  • Cap / 2007 / Dir: Tomek Sikora / 30”
  • Cakes / 2007 / Dir: Tomek Sikora / 30”

Total running time 60’
Screenings marked with an (*) will be made with the attendance of the director, actor or producer of the film.

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 1

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 2

Polish Experimental Animation Cinema 3

Polish Experimental Animation Cinema 3

Panel: Polish Animation Cinema

Panel: Polish Animation Cinema

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

Giacometti’s Final Works

Giacometti’s Final Works

Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success. 

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.