2011 | 42’ | Yang Yang
This documentary tells the story of the 10-year “guerrilla warfare” waged by the Beijing Queer Film Festival (BJQFF). Originating at Peking University in 2001, the Festival has taken place six—now seven—times to date. Considered the first of its kind, the BJQFF is the only continuous, community-based non-governmental film festival with a special focus on gender and sexuality in China. Given the politically sensitive nature of LGBTQ issues in China, as well as China’s strict media censorship, the Festival has encountered enormous difficulties in its development. In the past thirteen years, its venue has shifted from the western suburbs to the eastern, and from city to countryside. In 2011 it returned to the city and embraced a true guerrilla strategy due to government intervention and censorship. Based on recorded footage collected by the BJQFF organizing committee each year, Our Story contains interviews with committee members, letting them tell the story of the festival and of themselves.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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