Director: Jasmila Žbanić
Cast: Zrinka Cvitesic, Leon Lucev, Ermin Bravo
Bosnia and Herzegovina, Austria, Germany, Croatia, 2010, 100’, color
Bosnian, English with Turkish subtitles
Luna and Amar are a couple. Their relationship is under great strain. First of all, Amar loses his job for being drunk at work. Luna is very worried and has little hope of realising her fragile dream of having a child with Amar. But her fears for their future increase when Amar takes on a well-paid job in a Muslim fundamentalist community hours away from where they live. Only after quite some time has elapsed during which they have had no contact with each other, is Luna allowed to visit Amar in this community of conservative Wahhabis in its idyllic lakeside location. When he returns home a few weeks later, Luna realises that Amar’s attitude to religion has fundamentally changed. Amar claims that his only interest is to become a better person, but Luna finds it extremely difficult to follow his line of thinking. She begins to question everything that she has believed in, even her desire to have a child. As the wounds of a tragic war-filled past continue to haunt her, Luna tears herself apart searching if love is truly enough to keep her and Amar together on the path to a lifetime of happiness.
Trailer
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
With the Topkapı Palace, the center of political authority until the 19th century, and many other examples of classical Ottoman and Byzantine architecture included in its premise the Historical Peninsula is the heart of the Empire.
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
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