News From Home - News From House

  • November 21, 2013 / 19:00
  • November 29, 2013 / 19:00

Director: Amos Gitai
Israel, France, Belgium; 97’, 2005, color
Hebrew, Englishi Arabic, French with Turkish subtitles

Abandoned by its Palestinian owner in the 1948 war; requisitioned by the Israeli government as vacant; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a three-story house in 1980...This West Jerusalem building is no longer the microcosm it once was 25 years ago. Its inhabitants dispersed, this common space has disintegrated, but remains both an emotional and physical center at heart of the Israeli-Palestinian situation. Concrete reality has transformed into scattered stories and memories. A new identity, a new diaspora, has evolved. With News from Home / News from House, Amos Gitai completes the trilogy which began with 1980's House and continued in 1998's A House in Jerusalem. Creating a sort of human archaeology, Gitai explores the relationships between the house's inhabitants, past and present, between Israelis and Palestinians. Each in his or her own way becomes a sign of the region's, the world's destiny.

Esther

Esther

 Kippur

Kippur

Alila

Alila

News From Home - News From House

News From Home - News From House

Disengagement

Disengagement

One Day You'll Understand

One Day You'll Understand

Roses à Crédit

Roses à Crédit

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.