New German Animation: Part I

  • April 14, 2015 / 13:30

WIND
Director: ROBERT LÖBEL / Germany / 2012 / 4’ / 2D

AN ADVENTUROUS AFTERNOON
Director: INES CHRİSTİNE GEİSSER, KİRSTEN CARİNA GEİSSER / Germany / 2013 / 5’ / Ink animation, 2D, computer animation

BOLES
Director: SPELA CADEZ / Slovenya, Slovenia, Germany / 2013 / 13’ / puppets

VIRTUOSO VIRTUAL
Director: THOMAS STELLMACH, MAJA OSCHMANN / Germany / 2013 / 6’ / India ink, 2D, Computer

WALK THE DOG
Director: SONJA ROHLEDER / Germany / 2014 / 3’ / Cutout

PATCH
Director: GERD GOCKELL / İsviçre, Switzerland, Germany / 2014 / 3’ / StopMotion

NUGGETS
Director: ANDREAS HYKADE / Germany / 2014 / 6’ / 2D Computer

MANY A TİME
Director: ANDREAS HELL / Germany / 2014 / 15’ / Shadowplay

UTOE
Director: DAVID BUOB / Germany / 2014 / 8’ / Aquarelle

MİCKİ
Director: ALEXANDER LAHL, IZABELA PLUCIŃSKA / Germany / 2014 / 6’ / Kil Clay

WHODUNNIT
Director: JIM LACY / Germany / 2014 / 7’ / After Effects

HIDDEN TRACK
Director: ELISABETH ZWIMPFER / Germany / 2013 / 6’ / Stop Motion, Cut Out, Experimental, 2D, Computer

OVER YOU
Director: VOLKER SCHLECHT, ALEXANDRA KARDINAR / Germany / 2012 / 3’ / pencil on paper

LAMBS
Director: GOTTFRIED MENTOR / Germany / 2014 / 5’ / 3D Computer animation

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

A Photographer’s Biography Ali Sami Aközer

A Photographer’s Biography Ali Sami Aközer

Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.

Mosques in the 18th and 19th Century Paintings

Mosques in the 18th and 19th Century Paintings

In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques. 

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.