New German Animation: Part 2, Children's Animation Films

  • April 14, 2015 / 16:00

PATCHWORK FISH
Director: ANGELA STEFFEN, ANDREA DEPPERT / Germany / 2013 / 4’ / 2D, computer animation

ZEBRA
Director: JULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

ROCKIN' RHINO
Director: VERENA FELSULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

FRED & ANABEL
Director: RALF KUKULA / Germany / 2014 / 8’ / 2D, computer

LAMBS
Director: GOTTFRIED MENTOR / Germany / 2014 / 5’ / 3D, computer animation

RALLE & BOLLE - ADDICTED TO TV
Director: WINFRIED BELLMANN, DOREEN SCHWEIKOWSKI / Germany / 2011 / 9’ / 3D, animation

CATS AND DOGS
Director: MICHAEL ZAMJATNINS / Germany / 2011 / 8’ / pencil on paper

KRAKE
Director: REGINA WELKER / Germany / 2012 / 9’ / 3D character, 2D effects, backgrounds

RISING HOPE
Director: MILEN VITANOV / Germany / 2012 / 10’ / 3D

LITTLE PLASTIC FIGURE
Director: SAMO SAMA / Germany / 2012 / 3’ / object animation, pixilation, dough

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Giacometti’s Final Works

Giacometti’s Final Works

Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success. 

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.