New German Animation: Part 2, Children's Animation Films

  • April 14, 2015 / 16:00

PATCHWORK FISH
Director: ANGELA STEFFEN, ANDREA DEPPERT / Germany / 2013 / 4’ / 2D, computer animation

ZEBRA
Director: JULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

ROCKIN' RHINO
Director: VERENA FELSULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

FRED & ANABEL
Director: RALF KUKULA / Germany / 2014 / 8’ / 2D, computer

LAMBS
Director: GOTTFRIED MENTOR / Germany / 2014 / 5’ / 3D, computer animation

RALLE & BOLLE - ADDICTED TO TV
Director: WINFRIED BELLMANN, DOREEN SCHWEIKOWSKI / Germany / 2011 / 9’ / 3D, animation

CATS AND DOGS
Director: MICHAEL ZAMJATNINS / Germany / 2011 / 8’ / pencil on paper

KRAKE
Director: REGINA WELKER / Germany / 2012 / 9’ / 3D character, 2D effects, backgrounds

RISING HOPE
Director: MILEN VITANOV / Germany / 2012 / 10’ / 3D

LITTLE PLASTIC FIGURE
Director: SAMO SAMA / Germany / 2012 / 3’ / object animation, pixilation, dough

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

Unhomely!  <br>Lee Miller

Unhomely!
Lee Miller

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze