New German Animation: Part 2, Children's Animation Films

  • April 14, 2015 / 16:00

PATCHWORK FISH
Director: ANGELA STEFFEN, ANDREA DEPPERT / Germany / 2013 / 4’ / 2D, computer animation

ZEBRA
Director: JULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

ROCKIN' RHINO
Director: VERENA FELSULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

FRED & ANABEL
Director: RALF KUKULA / Germany / 2014 / 8’ / 2D, computer

LAMBS
Director: GOTTFRIED MENTOR / Germany / 2014 / 5’ / 3D, computer animation

RALLE & BOLLE - ADDICTED TO TV
Director: WINFRIED BELLMANN, DOREEN SCHWEIKOWSKI / Germany / 2011 / 9’ / 3D, animation

CATS AND DOGS
Director: MICHAEL ZAMJATNINS / Germany / 2011 / 8’ / pencil on paper

KRAKE
Director: REGINA WELKER / Germany / 2012 / 9’ / 3D character, 2D effects, backgrounds

RISING HOPE
Director: MILEN VITANOV / Germany / 2012 / 10’ / 3D

LITTLE PLASTIC FIGURE
Director: SAMO SAMA / Germany / 2012 / 3’ / object animation, pixilation, dough

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

Los Caprichos

Los Caprichos

It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.