New German Animation: Part 2, Children's Animation Films

  • April 14, 2015 / 16:00

PATCHWORK FISH
Director: ANGELA STEFFEN, ANDREA DEPPERT / Germany / 2013 / 4’ / 2D, computer animation

ZEBRA
Director: JULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

ROCKIN' RHINO
Director: VERENA FELSULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

FRED & ANABEL
Director: RALF KUKULA / Germany / 2014 / 8’ / 2D, computer

LAMBS
Director: GOTTFRIED MENTOR / Germany / 2014 / 5’ / 3D, computer animation

RALLE & BOLLE - ADDICTED TO TV
Director: WINFRIED BELLMANN, DOREEN SCHWEIKOWSKI / Germany / 2011 / 9’ / 3D, animation

CATS AND DOGS
Director: MICHAEL ZAMJATNINS / Germany / 2011 / 8’ / pencil on paper

KRAKE
Director: REGINA WELKER / Germany / 2012 / 9’ / 3D character, 2D effects, backgrounds

RISING HOPE
Director: MILEN VITANOV / Germany / 2012 / 10’ / 3D

LITTLE PLASTIC FIGURE
Director: SAMO SAMA / Germany / 2012 / 3’ / object animation, pixilation, dough

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

A Carriage and a Squat House  <br>Liliana Maresca

A Carriage and a Squat House
Liliana Maresca

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

Barbara Kruger’s Practice on Power,  Capitalism, Identity, and Gender

Barbara Kruger’s Practice on Power, Capitalism, Identity, and Gender

A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.

Moscow Conceptualists

Moscow Conceptualists

Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.