New German Animation: Part 2, Children's Animation Films

  • April 14, 2015 / 16:00

PATCHWORK FISH
Director: ANGELA STEFFEN, ANDREA DEPPERT / Germany / 2013 / 4’ / 2D, computer animation

ZEBRA
Director: JULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

ROCKIN' RHINO
Director: VERENA FELSULİA OCKER / Germany / 2013 / 3’ / 2D, computer animation

FRED & ANABEL
Director: RALF KUKULA / Germany / 2014 / 8’ / 2D, computer

LAMBS
Director: GOTTFRIED MENTOR / Germany / 2014 / 5’ / 3D, computer animation

RALLE & BOLLE - ADDICTED TO TV
Director: WINFRIED BELLMANN, DOREEN SCHWEIKOWSKI / Germany / 2011 / 9’ / 3D, animation

CATS AND DOGS
Director: MICHAEL ZAMJATNINS / Germany / 2011 / 8’ / pencil on paper

KRAKE
Director: REGINA WELKER / Germany / 2012 / 9’ / 3D character, 2D effects, backgrounds

RISING HOPE
Director: MILEN VITANOV / Germany / 2012 / 10’ / 3D

LITTLE PLASTIC FIGURE
Director: SAMO SAMA / Germany / 2012 / 3’ / object animation, pixilation, dough

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Paula Rego in Istanbul!

Paula Rego in Istanbul!

We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.