Mondays at Racine

  • March 2, 2014 / 14:00
  • March 7, 2014 / 18:00

Director:  Cynthia Wade
USA 40’, 2012, color

English with Turkish subtitles

Every third Monday of the month, brassy Long Island, New York sisters Cynthia and Rachel open up their hair salon, called Racine, and offer free beauty services for women undergoing chemotherapy.  Determined to make their customers feel beautiful, the glamour duo knows that Mondays at Racine goes beyond purple painted toes or a frothy facial.  The sisters are determined to give women who are losing their hair, eyebrows and eyelashes a sense of normalcy and dignity in a traumatic and uncertain time. The story of what hair means in our culture quickly unfolds into an unexpected look at womanhood, marriage and survival.

Deaf Jam

Deaf Jam

Mondays at Racine

Mondays at Racine

Off the Rez

Off the Rez

Brooklyn Castle

Brooklyn Castle

Lives Worth Living

Lives Worth Living

Inocente

Inocente

Side By Side

Side By Side

Trailer

Mondays at Racine

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.