Director: Ketevani Kapanadze
Georgia, 2021, 74', DCP, color
Georgian with Turkish subtitles
In the Georgian city of Kutaisi, a local women’s football club constitutes the heart of a group of female and non-binary queer people, who get together regularly to hang out, to party, to hug each other, and to discuss existential issues. Their gatherings provide a cozy, safe space for these young people in a society that’s not known for embracing its LGBTI+ community. Discrimination, exclusion, and violence are part of the daily reality for these sports enthusiasts and their friends, whether on the streets or, in some cases, within the family. When they’re together, they find the love, warmth, and safety they need to fully be themselves.
Ketevan Kapanadze doesn’t engage in cheap sentiment in this, her debut film. Neither does she put any particular emphasis on the hostile outside world—although it’s never far away. Her shots focusing on individuals are interspersed with observational scenes of the group as a whole. The director’s camera skims the outer walls of this protective bubble, making palpable the extraordinary atmosphere between the friends—as the mood shifts from celebratory and elated, to intimate and lethargic, to lively with debate.
Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
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