Gone with the Hazelnuts

Director: Ercan Kesal
With: Resmiye Mutioğlu, Sezgin Mutioğlu, Fikret Yapıcı, Beratiye Mutioğlu, İzzet Mutioğlu, Basri Mutioğlu
Turkey, 2018, 40’, color, Turkish with English subtitles
 
“From cooperative work to seasonal employment,” the struggle of a village against capitalism... Set in the Çiçekpınar village in Düzce, this documentary aims at displaying the change of agricultural labour from the 1930s to the 2000s, the transformation of the social structure of the village. How Çiçekpınar villagers transformed from a pre-hazelnut period self-sufficient, solidaristic, communal social form to a post-hazelnut period hierarchically organized social form where each person is responsible for their own works. A miniature transition story from pre-capitalism to capitalism experienced in a small village featuring how the sons of the labouring fathers of the past now perceive their seasonal workers, and many more...

Araf

Araf

Another Train Gıdı Gıdı

Another Train Gıdı Gıdı

Gone with the Hazelnuts

Gone with the Hazelnuts

Süreyya the Kitman

Süreyya the Kitman

Her First

Her First

Fragments

Fragments

Sarajevo March

Sarajevo March

Schildkröten Panzer

Schildkröten Panzer

Local TV

Local TV

Zavar, The Kid And Partridges

Zavar, The Kid And Partridges

Trailer

Gone with the Hazelnuts

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

SAMİH RİFAT : BEFORE THE DEATH OF THE AUTHOR

SAMİH RİFAT : BEFORE THE DEATH OF THE AUTHOR

Esra Özdoğan

To Elif

Old Loyalties
The short list of words that one feels one must resort to, but I will nevertheless try to refrain from using: Multifaceted, of a