National Documentary Competition
37th Istanbul Film Festival

April 6 - 17, 2018

Pera Film is hosting 37th Istanbul Film Festival! As part of the festival Pera Film will be screening the National Short Film Competition, National Documentary Competition and the program Cinemania, as well as other screenings.

Check out the details here.

April 10

16:00 Her First

April 11

11:00 Schildkröten Panzer

Zavar, The Kid And Partridges

16:00 Süreyya the Kitman

April 12

11:00 Sarajevo March

13:30 Another Train Gıdı Gıdı

April 13

11:00 Gone with the Hazelnuts

19:00 Araf

April 14

11:00 Local TV

16:00 Fragments

Araf

Araf

Another Train Gıdı Gıdı

Another Train Gıdı Gıdı

Gone with the Hazelnuts

Gone with the Hazelnuts

Süreyya the Kitman

Süreyya the Kitman

Her First

Her First

Fragments

Fragments

Sarajevo March

Sarajevo March

Schildkröten Panzer

Schildkröten Panzer

Local TV

Local TV

Zavar, The Kid And Partridges

Zavar, The Kid And Partridges

Program Trailer

National Documentary Competition
37th Istanbul Film Festival

Pera Film is hosting 37th Istanbul Film Festival! As part of the festival Pera Film will be screening the National Short Film Competition, National Documentary Competition and the program Cinemania, as well as other screenings.

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.