Gender Identity (1985 – 1990)

  • December 20, 2015 / 14:00
  • December 26, 2015 / 16:00
  • January 16, 2016 / 14:00

Peter Gabriel, Sledgehammer, 1985 / Steve R.Johnson
Dire Straits, Money for Nothing, 1985 / Steve Barron
Simple Minds, All the Things She Said, 1985 / Rybzinsky
Kate Bush, Running Up that Hills, 1985 / David Garfath
The Smiths, The Queen is Dead, 1986 / Derek Jarman
Crowded House, Don’t Dream it’s Over, 1986 / Alex Proyas
Michael Jackson, Bad, 1987 / Martin Scorsesse
Madonna, Like a Prayer.1988 / Mary Lambert
The Cure, Lullaby, 1989 / Tim Pope
Chris Isaak, Wicked Game, 1989 / Herb Ritts
Madonna, Justify My Love, 1990. / J. B Mondino
Madonna, Vogue, 1990 / David Fincher
Depeche Mode, Enjoy the Silence, 1990 / Anton Corbijn
Sonic Youth, Kool thing, 1990 / Tamra Davis
Sinead O’Connor, Nothing Compares 2 U, 1990 / John Maybury

Duration: 1 hour 13 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

5 Albums That Accompany Marcel Dzama’s Art

5 Albums That Accompany Marcel Dzama’s Art

To accompany his exhibition Dancing with the Moonlight at Pera Museum, Canadian artist Marcel Dzama shares five albums that have long sound-tracked his creative process. From post-punk echoes to folk-tinged introspection, each record offers a sonic window into the artist’s visual universe.

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.