Director: Vouvoula Skoura
Greece, , 2008, 52', b&w, color
Greek with Turkish subtitles
The film reconstructs through an array of visual fragments, a multiplicity of languages, of peoples and their identities, the unique portrait of the poet and painter Etel Adnan. The film is based on Adnan’s correspondence with Professor of History Fawwaz Traboulsi and on fragments of her conversations with Vouvoula Skoura as recorded in Paris and the Greek island of Skopelos. Etel Adnan has lived through and experienced the troubles of the 20th century in Europe and the Middle East. Her origins caught between the two worlds, she attempts to comprehend their differences and is able to synthesize them under her deeply humanistic gaze. At the same time, she retraces those minute Greek instances in memories of her mother and recollections of her father in a universe of tales and poetry composed in Arabic.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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