Competition: Fresh Air-II

Lazarus

Director: Tuixén Benet
USA, 2020, 9’, HDD, Color
No Dialog 

Through a dialogue between movement and landscape, Lazarus reflects on the objectification of the woman body in film. The famous quote by Edgar Allan Poe "the death of a beautiful woman is, unquestionably, the most poetical topic in the world" triggers a succession of falls and recoveries that escape the poetic by trying too hard to find it. 

Mary, Mary So Contrary

Directors: Nelson Yeo
Singapore, 2019, 15’, HDD, Black & White and Color
Chinese, English with Turkish and English Subtitles 

Repurposing and manipulating footage from two classic films and the filmmaker’s own personal footage, Mary, Mary So Contrary weaves together a phantasmagoric narrative about a Chinese woman named Ma Li who dreams that she is a Caucasian woman named Mary. 

The Curse of the Phantom Tympanum

Director: Graeme Cole
UK, 2019, 27’, HDD, Color
English with Turkish Subtitles 

Time-travelling record producer Harley Byrne crash-lands in a virtual reality heritage theme park in 22nd-century France. Corrupt holograms, cyborg saints, and sentient statues haunt an absurdist Super-8 universe, digitally re-colourized for your pleasure!

Panel: Rethinking the Archive

Panel: Rethinking the Archive

Panorama: Colombian Highlights

Panorama: Colombian Highlights

Panorama: Emerging Artists

Panorama: Emerging Artists

Panorama: Hambre

Panorama: Hambre

Panorama: Nomadica

Panorama: Nomadica

Panorama: Portraits - KLEX

Panorama: Portraits - KLEX

Panorama: Tech-Myth

Panorama: Tech-Myth

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 3

Retrospective of Vivian Ostrovsky: Program 3

Competition: Analog Works

Competition: Analog Works

Competition: Animation - I

Competition: Animation - I

Competition: Animation - II

Competition: Animation - II

Competition: Between Motion and Stillness

Competition: Between Motion and Stillness

Competition: Essay-I

Competition: Essay-I

Competition: Essay-3

Competition: Essay-3

Competition: Essay - 4

Competition: Essay - 4

Competition: Ethnogeographic

Competition: Ethnogeographic

Competition: First Experiments

Competition: First Experiments

Competition: Found Footage – I

Competition: Found Footage – I

Competition: Fresh Air-I

Competition: Fresh Air-I

Competition: Fresh Air-II

Competition: Fresh Air-II

Competition: Memory Boom

Competition: Memory Boom

Competition: Personal Cinema

Competition: Personal Cinema

Competition: A Machine to Live In

Competition: A Machine to Live In

Special Screening: When Forever Dies

Special Screening: When Forever Dies

Competition: Eyes/Eyes<br>Eyes/Eyes

Competition: Eyes/Eyes
Eyes/Eyes

Competition: Ailleurs Partout

Competition: Ailleurs Partout

Competition: The Personal Life of a Hole

Competition: The Personal Life of a Hole

Competition: This is China of a Particular Sort, I Do Not Know

Competition: This is China of a Particular Sort, I Do Not Know

Retrospective of Vivian Ostrovsky: Top Ten Designers

Retrospective of Vivian Ostrovsky: Top Ten Designers

Competition: Autumnal Sleeps

Competition: Autumnal Sleeps

Competition: Inside The Outset - Evoking A Space of Passage

Competition: Inside The Outset - Evoking A Space of Passage

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.