Pera Film is hosting 3rd Istanbul International Experimental Film Festival.
After a one-year closure period. Istanbul International Experimental Film Festival, is preparing to bring together the most unique works of contemporary experimental cinema with the cinema lovers of Istanbul for the third time between 12-21 November.
This year's jury is chaired by British academic and artist Chris Meigh-Andrews, author of Oxford's History of Video Art, who designs space-conscious audio and video installations on renewable energies. Other members of the jury are as follows: Australian animation artist Kathy Smith, who is also the head of the University of South California's Department of Cinematic Arts; Florencia Incarbone, founding member, curator and editor of Hambre; Turkish award-winning experimental film director Gürcan Keltek; and artist-poet Ece Eldek.
As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.
November 12
13:30 Competition: Personal Cinema
15:00 Panorama: Colombian Highlights
16:30 Competition: Essay-I
18:00 Competition: A Machine to Live In
November 13
12:30 Competition: Between Motion and Stillness
14:00 Competition: Found Footage – I
17:30 Special Screening: When Forever Dies
November 14
13:00 Panel: Rethinking the Archive
17:00
Competition: Eyes/Eyes
Eyes/Eyes
November 16
13:00 Competition: Ailleurs Partout
14:30 Competition: Fresh Air-I
16:00 Panorama: Emerging Artists
18:00 Competition: The Personal Life of a Hole
November 17
13:30 Competition: Analog Works
15:00 Retrospective of Vivian Ostrovsky: Program 1
16:30 Panorama: Hambre
November 18
13:00 Competition: First Experiments
13:30 Competition: First Experiments
15:00 Retrospective of Vivian Ostrovsky: Program 2
16:30 Panorama: Portraits - KLEX
18:00 Competition: Animation - I
November 19
13:00 Competition: This is China of a Particular Sort, I Do Not Know
14:00 Competition: Fresh Air-II
15:30 Competition: Essay-3
17:00 Panorama: Nomadica
18:30 Retrospective of Vivian Ostrovsky: Top Ten Designers
20:00 Competition: Essay - 4
November 20
13:30 Retrospective of Vivian Ostrovsky: Program 3
15:00 Panorama: Tech-Myth
16:30 Competition: Animation - II
18:00 Competition: Autumnal Sleeps
November 21
13:30 Competition: Ethnogeographic
15:30 Competition: Inside The Outset - Evoking A Space of Passage
16:30 Competition: Memory Boom
November 12
13:30 Competition: Personal Cinema
15:00 Panorama: Colombian Highlights
16:30 Competition: Essay-I
18:00 Competition: A Machine to Live In
November 13
12:30 Competition: Between Motion and Stillness
14:00 Competition: Found Footage – I
17:30 Special Screening: When Forever Dies
November 14
13:00 Panel: Rethinking the Archive
17:00
Competition: Eyes/Eyes
Eyes/Eyes
November 16
13:00 Competition: Ailleurs Partout
14:30 Competition: Fresh Air-I
16:00 Panorama: Emerging Artists
18:00 Competition: The Personal Life of a Hole
November 17
13:30 Competition: Analog Works
15:00 Retrospective of Vivian Ostrovsky: Program 1
16:30 Panorama: Hambre
November 18
13:00 Competition: First Experiments
15:00 Retrospective of Vivian Ostrovsky: Program 2
16:30 Panorama: Portraits - KLEX
18:00 Competition: Animation - I
November 19
13:00 Competition: This is China of a Particular Sort, I Do Not Know
14:00 Competition: Fresh Air-II
15:30 Competition: Essay-3
17:00 Panorama: Nomadica
18:30 Retrospective of Vivian Ostrovsky: Top Ten Designers
20:00 Competition: Essay - 4
November 20
13:30 Retrospective of Vivian Ostrovsky: Program 3
15:00 Panorama: Tech-Myth
16:30 Competition: Animation - II
18:00 Competition: Autumnal Sleeps
November 21
13:30 Competition: Ethnogeographic
15:30 Competition: Inside The Outset - Evoking A Space of Passage
16:30 Competition: Memory Boom
Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success.
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
