Director: Michelangelo Antonioni
Cast: David Hemmings, VanessaRedgrave, Sarah Miles, John Castle
UK, Italy, 1966, 111', DCP, color
English with Turkish subtitles
Blow-Up tells the story of Thomas, a successful fashion photographer living in London. As he goes about his daily routine, capturing fashion shoots and ordinary moments, he accidentally photographs a mysterious event in a park. Upon enlarging (blowing up) the images, he begins to suspect that his pictures contain clues to a murder. However, the more he tries to confirm the truth, the harder it becomes to grasp reality.
Blow-Up opens a discussion on how photography—and visual media in general—shapes reality, questioning the modern individual's relationship between perception and truth. Throughout the film, Antonioni immerses the audience in the same sense of uncertainty that Thomas experiences, raising the question of whether photography, like cinema, presents reality as it is or in a constructed form.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
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