Andrei Rublev

Director: Andrey Tarkovski
Cast: Anatoliy Solonitsyn, Ivan Lapikov, Nikolay Grinko
Soviet Union, 1966, 174’, b&w, color
Russian, Italian, Tatar with Turkish subtitles

This acclaimed epic about the life of 15th century icon painter Andrei Rublev who lives in a world consumed by feudal violence and human degradation, and the turmoil he sees makes him lose the will to speak. After many years of silent travelling around medieval Russia, he meets a young boy who has taken charge of the construction of a large silver bell, and in him discovers the inspiration to speak again.

Justinian's Human Torches

Justinian's Human Torches

The Agony of the Byzantine

The Agony of the Byzantine

Andrei Rublev

Andrei Rublev

Byzantine Blue

Byzantine Blue

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.