A Symphony of Sound: The Velvet Underground and Nico , 1966, 66’
16mm film, black and white, sound
Transferred from 16 mm to DVD
Collection of The Andy Warhol Museum, Pittsburgh
Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
©2014 The Andy Warhol Museum, Pittsburgh, PA, a Museum of Carnegie Institute
All rights reserved.
Warhol's classic 1966 music documentary has been described by critics as "eternally chic" and, according to writer and biographer Victor Bockris, "remains the single best visual record of the Velvet Underground". Recorded during a practice session at the Factory; shot in January 1966, it shows the group rehearsing for what was probably their opening at the Film-Makers' Cinematheque basement theater. Nico, the German singer and actress whom Warhol introduced into the band, sits on a stool and bangs a tambourine, while her son Ari plays on the floor at her feet. The two reels contain a great deal of wild camerawork and psychedelic zooming, which indicates that this film was intended for exhibition, probably in double-screen, behind the Velvet Underground on stage.
Trailer
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
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