August 11, 2020 - January 24, 2021
Focusing on contemporary approaches to miniature painting, the exhibition brought together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists did not treat miniature solely as a historical object, they emphasize its theoretical potential as a contemporary art form. Using various forms such as sculpture, video, photography, and installation, they brought out miniature from books, where it has resided for centuries, gave it a new dimension, and searched for ways in which miniature can live in the contemporary world.
Contemporary miniature goes beyond its former context in terms of form and content, and it focuses on issues such as colonialism, orientalism, economic inequality, gender, politics of identity, discrimination, social violence, compulsory migration, and representation. The exhibition emphasized the artists’ various approaches to traditional miniature, as well as revealing the commonalities between them.
Curated by Azra Tüzünoğlu and Gülce Özkara, the exhibition featured work by Hamra Abbas, Rashad Alakbarov, Halil Altındere, Dana Awartani, Fereydoun Ave, CANAN, Noor Ali Chagani, Cansu Çakar, Hayv Kahraman, Imran Qureshi, Nilima Sheikh, Shahpour Pouyan, Shahzia Sikander and Saira Wasim.
Images
Hayv Kahraman
Nabog, 2014
Keten üzerine yağlı boya
Oil on linen
Each panel: 292.1 x 139.7 x 5.08 cm
Diptych: 292.1 x 279.4 x 110 x 5.08 cm
© Hayv Kahraman. Courtesy of the Artist, Jack Shainman Gallery, New York,
VELMETTER, Los Angeles, and The Third Line, Dubai.
Imran Qureshi
Moderate Enlightenment, 2009
Opaque watercolor and gold leaf on wasli paper, 18 x 14 cm
Private collection Courtesy of the Artist
Shahpour Pouyan
After 'Anushirvan, His Ministers and Buzurgmihr in Conversation', 2016
Mixed media on Japanese rice paper, 25 x 17 cm
Courtesy of the Artist and Lawrie Shabibi
Fereydoun Ave
Untitled, 2018
various cloth duffel
186 × 327 cm
Courtesy of the Artist
3D Virtual Tour
Exhibition Catalogue
Focusing on contemporary approaches to miniature painting, the exhibition brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan.
The talk will focus on how the relationship between miniature painting and contemporary art in Turkey developed with particular emphasis on CANAN’s works in the exhibition and on the current forms into which miniature painting has evolved with an interdisciplinary approach that transcends periods.
Focusing on contemporary approaches to miniature painting, the exhibition Miniature 2.0: Miniature in Contemporary Art brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists do not treat miniature solely as a historical object, they emphasize its theoretical potential as a contemporary art form.
Focusing on contemporary approaches to miniature painting, the exhibition Miniature 2.0: Miniature in Contemporary Art brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists do not treat miniature solely as a historical object, they emphasize its theoretical potential as a contemporary art form.
Video
Pera Learning
Pera Museum Learning Programs organize a series of colorful online workshops for various age groups under the scope of the exhibition Miniature 2.0: Miniature in Contemporary Art between 5 September 2020 and 15 January 2021.
Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
