August 11, 2020 - January 24, 2021
Focusing on contemporary approaches to miniature painting, the exhibition brought together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists did not treat miniature solely as a historical object, they emphasize its theoretical potential as a contemporary art form. Using various forms such as sculpture, video, photography, and installation, they brought out miniature from books, where it has resided for centuries, gave it a new dimension, and searched for ways in which miniature can live in the contemporary world.
Contemporary miniature goes beyond its former context in terms of form and content, and it focuses on issues such as colonialism, orientalism, economic inequality, gender, politics of identity, discrimination, social violence, compulsory migration, and representation. The exhibition emphasized the artists’ various approaches to traditional miniature, as well as revealing the commonalities between them.
Curated by Azra Tüzünoğlu and Gülce Özkara, the exhibition featured work by Hamra Abbas, Rashad Alakbarov, Halil Altındere, Dana Awartani, Fereydoun Ave, CANAN, Noor Ali Chagani, Cansu Çakar, Hayv Kahraman, Imran Qureshi, Nilima Sheikh, Shahpour Pouyan, Shahzia Sikander and Saira Wasim.
Images
Hayv Kahraman
Nabog, 2014
Keten üzerine yağlı boya
Oil on linen
Each panel: 292.1 x 139.7 x 5.08 cm
Diptych: 292.1 x 279.4 x 110 x 5.08 cm
© Hayv Kahraman. Courtesy of the Artist, Jack Shainman Gallery, New York,
VELMETTER, Los Angeles, and The Third Line, Dubai.
Imran Qureshi
Moderate Enlightenment, 2009
Opaque watercolor and gold leaf on wasli paper, 18 x 14 cm
Private collection Courtesy of the Artist
Shahpour Pouyan
After 'Anushirvan, His Ministers and Buzurgmihr in Conversation', 2016
Mixed media on Japanese rice paper, 25 x 17 cm
Courtesy of the Artist and Lawrie Shabibi
Fereydoun Ave
Untitled, 2018
various cloth duffel
186 × 327 cm
Courtesy of the Artist
3D Virtual Tour
Exhibition Catalogue
Focusing on contemporary approaches to miniature painting, the exhibition brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan.
The talk will focus on how the relationship between miniature painting and contemporary art in Turkey developed with particular emphasis on CANAN’s works in the exhibition and on the current forms into which miniature painting has evolved with an interdisciplinary approach that transcends periods.
Focusing on contemporary approaches to miniature painting, the exhibition Miniature 2.0: Miniature in Contemporary Art brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists do not treat miniature solely as a historical object, they emphasize its theoretical potential as a contemporary art form.
Focusing on contemporary approaches to miniature painting, the exhibition Miniature 2.0: Miniature in Contemporary Art brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists do not treat miniature solely as a historical object, they emphasize its theoretical potential as a contemporary art form.
Video
Pera Learning
Pera Museum Learning Programs organize a series of colorful online workshops for various age groups under the scope of the exhibition Miniature 2.0: Miniature in Contemporary Art between 5 September 2020 and 15 January 2021.
Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
