I’m Here!
World AIDS Day

December 1 - 10, 2017

Pera Film is presenting a special program on World AIDS Day. The program includes documentaries Mapplethorpe: Look at the Pictures and How to Survive a Plague as well as the award-winning fiction film 120 BPM (120 Beats Per Minute). Winner of the Grand Prix at Cannes, 120 BPM is a harrowing yet inspiring look back at the activism of French ACT UP protestors during the height of the AIDS crisis in the early 1990s. Electronic Arts Intermix’s curated video program Home Video: Media Art in Response to HIV/AIDS includes the work of George Kuchar, Nate Lavey, Stephen Vider, Women’s AIDS Video Enterprise and Charlie Ahearn. The four videos in the program engage the concept of “home video,” making use of consumer video technology and the aesthetics of the camcorder era to create works that explore the intersections of art, caretaking, family, and home. Founded in 1988, Visual AIDS, the only contemporary arts organization fully committed to raising AIDS awareness and creating dialogue around HIV issues today, has commissioned artist projects which include intimate meditations of young HIV positive protagonists; a consideration of community-based HIV/AIDS activism in the South; explorations of the legacies and contemporary resonances within AIDS archives; a poetic journey through New York exploring historical traces of queer and trans life, and more. Together, the videos provide a platform centering voices deeply impacted by the ongoing epidemic.

Historically and currently, the HIV/AIDS landscape has been borne out of politics, culture, and systems of inequality. Certain populations continue to carry the disproportionate brunt of HIV infection and its consequences. This special program examines how artists and activists have expanded the idea of caretaking and family and navigated the political stakes of domestic life in the face of the HIV/AIDS crisis, from the early 1980s to the present.

This program’s screenings are free of admissions. Drop in, no reservations.

December 1

19:00 Mapplethorpe: Look at the Pictures

21:00 120 BPM

December 2

14:00 Alternate Endings, Radical Beginnings

16:00 How to Survive a Plague

December 3

16:00 Mapplethorpe: Look at the Pictures

18:00 How to Survive a Plague

December 9

18:00 Home Video: Media Art in Response to HIV/AIDS

December 10

14:00 Alternate Endings, Radical Beginnings

15:00 Home Video: Media Art in Response to HIV/AIDS

Mapplethorpe: Look at the Pictures

Mapplethorpe: Look at the Pictures

How to Survive a Plague

How to Survive a Plague

120 BPM

120 BPM

Home Video: Media Art in Response to HIV/AIDS

Home Video: Media Art in Response to HIV/AIDS

Alternate Endings, Radical Beginnings

Alternate Endings, Radical Beginnings

Program Trailer

I’m Here!
World AIDS Day

This special program examines how artists and activists have expanded the idea of caretaking and family and navigated the political stakes of domestic life in the face of the HIV/AIDS crisis, from the early 1980s to the present.

Barbara Kruger’s Practice on Power,  Capitalism, Identity, and Gender

Barbara Kruger’s Practice on Power, Capitalism, Identity, and Gender

A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.

Postcard Nudes

Postcard Nudes

The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.