A Young Perspective on Arts and Cultural Management
Esra Özkan, Halil Yıldırır, Eda Göknar, Marcus Graf

Online Talk

October 14, 2021 / 19:00

Pera Museum continues to collaborate with national and international education institutions to introduce young artists’ and designers’ works to audiences. As part of the Confrontation exhibit held on the 25th anniversary of Yeditepe University, events bring panelists from different disciplines together.

In the talk titled “A Young Perspective on Arts and Cultural Management”, Prof. Marcus Graf will come together with his former students, who are now art managers for various branches of arts and culture. They will be focusing on curatorship, museum and gallery management and art writing in discussing the present state of the field through their opinions on and experiences with art and culture management.

This meeting will be held on Zoom in Turkish. Reservations are required.

Reservation Form

Temporary Exhibition

Confrontation

Pera Museum continued to collaborate with national and international education institutions to introduce young artists’ and designers’ works to audiences. Curated by Marcus Graf, Confrontation featured art production by the students and graduates of Yeditepe University Faculty’s Fine Arts on the 25th year anniversary of the university. 

Confrontation

Memory and Now, on Fabrics! <br> Gözde İlkin

Memory and Now, on Fabrics!
Gözde İlkin

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

 Who Is Pablo Picasso?

Who Is Pablo Picasso?

Born on October 25, 1881 in Malaga, Spain, Pablo Picasso’s full name takes about two lines: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso.

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?