Can seemingly everyday and ordinary things find different meanings through our experience of them? Does the same landscape look different from “everyone's window”? Based on the conceptual structure of the PƎRⱯ Reverse, which re-functionalizes the existing from a different perspective, the workshop invites us to think about and design windows that contain the opposition of “inside” and “outside”. Starting from the image of the window with its metaphorical meanings both as an architectural hardware element and as a threshold between spaces, the participants paint what they see from outside and inside on the window forms they design using cardboard and tracing paper.
Instructor: Damla Yalçın
Capacity: 12 people
Duration: 90 minutes
Fee per workshop: 300 TL
The event will take place at the Pera Museum (face-to-face).
For more information: ogrenme@peramuzesi.org.tr
About Damla Yalçın
Damla Yalçın (1995, Ankara) graduated from Marmara University, Department of Painting. She completed her Master's Program at the Textile Department of the same university with her thesis on sustainability and biotextiles titled “The Place of Biotextiles in Art Practices”. Yalçın, who took part in many group exhibitions in Turkey and abroad (Germany, Poland, Korea, Hong Kong, Moldova, Italy, Cyprus), opened her first solo exhibition titled “Memory of the Unrememberable” at Krank Art Gallery in 2019. She took part in artist residency programs in Moldova and Italy and most recently at Gate27. She continues her life and production in Istanbul.
In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
