We all collect dozens of photos from the venues, cities and countries that we visit, in digital format. How about making a selection of these photos that harbor our memories, and reinterpreting and editing them to form a nonverbal story?
We begin the workshop with an interpretation-oriented tour of the exhibition, highlighting the relations between the 10 photographers and their production venues, and the way they handle their subjects. The participants will interpret the photos together with the workshop director, photographer Cemil Batur Gökçeer, focusing on the artists' styles. We intend to familiarize ourselves with their use of various elements of photographic language, and the methods revealed through their works on display.
During the workshop, we will examine participants' selections of their own photographs of travel and discovery, and being in a different location -the essence of the current exhibition at Pera Museum. Through these debates on style, the participants will look at their photos under a new light and work on formulating an expressive language that they feel comfortable with. We believe that the participants may be guarding previously overlooked clues and secrets about their photos, and about their relation with the time and place that these photos belong to. By allowing participants to reflect upon different modes of expression, this workshop will constitute an exercise to help them uncover their unique style.
Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.
Tuesday - Saturday 10:00 - 19:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
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