Who's Gonna Love Me Now?

Directors: Tomer Heymann, Barak Heymann
Israel, UK, 2016, 86', DCP, color
English, Hebrew with Turkish subtitles

Filmmakers Tomer & Barak Heymann dig deep into the themes of manhood, religion, family and sex in this documentary about Saar Maoz, an HIV-positive gay man who is torn between his “out” life as a member of the London Gay Men’s Chorus and his desire to reconnect with his Jewish Orthodox family in Israel. The film captures the journey of a man striving to maintain his true self as he navigates two very different worlds.

It Kinda Scares Me

It Kinda Scares Me

Paper Dolls

Paper Dolls

I Shot My Love

I Shot My Love

The Queen Has No Crown

The Queen Has No Crown

Mr. Gaga

Mr. Gaga

Who's Gonna Love Me Now?

Who's Gonna Love Me Now?

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.