Veşartî/Hidden

  • June 22, 2016 / 19:00
  • June 25, 2016 / 13:00

Director: Ali Kemal Çınar
Cast: Ali Kemal Çınar, Sakine Tunç, Sibel Can, Remzi Yardımcı, İhsan Şakar
Turkey, 2015 ,70’,  black & white
Kurdish with Turkish subtitles

Ali Kemal and Berfin are a couple living an ordinary life while waiting for their wedding day. After a surprise visit from an unknown woman to Ali Kemal’s shop, they find themselves awaiting a magical metamorphosis that will lead to Ali Kemal’s sex change. Bold realities of feminist issues, the role of women in traditional Turkish and Kurdish societies, and the ways in which the government deals with them surround the couple as they try to figure out if they can make this change on a personal level as well. Hidden salutes the cross dressing scene from the famous Kurdish folk tale Mem û Zîn, where Mem is dressed as a woman and Zîn as a man when they see each other for the first time.

Veşartî/Hidden

Veşartî/Hidden

The Pink Report

The Pink Report

#resistayol

#resistayol

Trailer

Veşartî/Hidden

Barbara Kruger’s Practice on Power,  Capitalism, Identity, and Gender

Barbara Kruger’s Practice on Power, Capitalism, Identity, and Gender

A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.