UNDR

  • December 14, 2024 / 15:00

Director: Kamal Aljafari
Palestine, Germany, 2024, 15', DCP, color
Non-verbal 

The camera's eye returns obsessively to the same places, a vertical perspective that imposes control, the possession of archaeological sites, and stones lying for thousands of years in the desert. The places it observes, however, are not deserted: we see as if glimpsed from afar, the peasants working the land, themselves transformed into the landscape. Something disturbs the stillness of the place: explosions on land and in the sea prepare the ground for new cities with new names, and new forests. This landscape is transformed into a scenography of appropriation.

*This film will be screened alongside the documentary “A Fidai Film”.

UNDR

UNDR

A Fidai Film

A Fidai Film

Passing Drama

Passing Drama

My Stolen Planet

My Stolen Planet

No Other Land

No Other Land

Dreaming Dogs

Dreaming Dogs

Black Box Diaries

Black Box Diaries

Vista Mare

Vista Mare

From Ground Zero

From Ground Zero

Cow

Cow

Feeding the River: 20 Years of Anadolu Kültür

Feeding the River: 20 Years of Anadolu Kültür

Midnight Stories: Hotel of Retro Dreams <br> Doğu Yücel

Midnight Stories: Hotel of Retro Dreams
Doğu Yücel

He didn’t expect this from me. And I hadn’t expected that we would decide to get married that day, at that moment. Everything happened all of a sudden, but exactly like it was supposed to happen in our day. We thought of the idea of marriage simultaneously, we smiled simultaneously, blinking and opening our eyes in unison. 

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.

A Night at Pera Museum

A Night at Pera Museum

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.