UNDR

  • December 14, 2024 / 15:00

Director: Kamal Aljafari
Palestine, Germany, 2024, 15', DCP, color
Non-verbal 

The camera's eye returns obsessively to the same places, a vertical perspective that imposes control, the possession of archaeological sites, and stones lying for thousands of years in the desert. The places it observes, however, are not deserted: we see as if glimpsed from afar, the peasants working the land, themselves transformed into the landscape. Something disturbs the stillness of the place: explosions on land and in the sea prepare the ground for new cities with new names, and new forests. This landscape is transformed into a scenography of appropriation.

*This film will be screened alongside the documentary “A Fidai Film”.

UNDR

UNDR

A Fidai Film

A Fidai Film

Passing Drama

Passing Drama

My Stolen Planet

My Stolen Planet

No Other Land

No Other Land

Dreaming Dogs

Dreaming Dogs

Black Box Diaries

Black Box Diaries

Vista Mare

Vista Mare

From Ground Zero

From Ground Zero

Cow

Cow

Feeding the River: 20 Years of Anadolu Kültür

Feeding the River: 20 Years of Anadolu Kültür

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

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Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success. 

Midnight Stories: The Soul <br> Aşkın Güngör

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Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.