Passing Drama

  • December 14, 2024 / 17:00

Director: Angela Melitopoulos
Germany, 1999, 66', DCP, color
Greek, German with Turkish, English subtitles

Passing Drama is a multi-voice diary recounting the intertwined migration path of the inhabitants of Drama, a small town in northern Greece still inhabited by refugees who survived Nazi deportations. During the Second World War, many inhabitants of Drama were forced to exodus to labour camps in Nazi Germany, and not all of them returned to their hometown. This migratory and diasporic fate is common to the parents of Angela Melitopoulos (who was in fact born in Germany) and to entire generations of refugees, involved in a progressive cracking of collective memory, the restoration of which is attempted by the dense visual and sound texture that the artist restores in the film. Conceived as a veritable “video texture”, Melitopoulos thus restores the migrant history of her own family, emphasizing how the experience of diaspora undermines any order of perception of subjective memory. This idea of oblivion is expressed through an interwoven montage of images that reflects the deforming action of time: the older the events, the more the montage of images has undergone manipulation. The repeated fragments of industrial looms that appear between the sequences provide not only sociological representations (many refugees did in fact work in the textile industry), but also reflect the actual “textile-urological” paradigm of the film’s narrative construction.

UNDR

UNDR

A Fidai Film

A Fidai Film

Passing Drama

Passing Drama

My Stolen Planet

My Stolen Planet

No Other Land

No Other Land

Dreaming Dogs

Dreaming Dogs

Black Box Diaries

Black Box Diaries

Vista Mare

Vista Mare

From Ground Zero

From Ground Zero

Cow

Cow

Feeding the River: 20 Years of Anadolu Kültür

Feeding the River: 20 Years of Anadolu Kültür

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on our façade? Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region.

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life.